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Carol Cannon, "The Mother" Act III, Scene II, Finale, The Consul, Menotti |
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Azucena, Il Trovatore, Verdi; Dallas, Texas; Baltimore, Maryland |
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The Mother, The Consul, Menotti; Dallas, Texas |
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Carmen, Carmen, Bizet; Evanston, Illinois; Baltimore, Maryland |
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Dalila, Samson et Dalila, Saint Saëns; Baltimore, Maryland |
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Bianca, The Rape of Lucretia, Britten: Baltimore, Maryland |
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St. Catherine's College, Oxford, England |
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International Congress, Honolulu, Hawaii |
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International Congress, Dublin, Ireland |
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International Congress, Vancouver, Canada |
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International Convention, Guadalajara, Mexico |
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Salle Claude-Champagne, Montreal, Canada |
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Teatro Dei Differenti, Barga, Italy |
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Philbrook Museum of Art, Tulsa, Oklahoma |
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Dallas Museum of Art, Dallas, Texas |
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Tanglewood Music Center, Lenox, Massachusetts |
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C.P.E. Bach |
Magnificat | ||
J.S. Bach
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Cantata 79 Magnificat Mass in B Minor St. Matthew Passion |
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L. Beethoven | Missa Solemnis in D | ||
J. Brahms | Rhapsody Opus 53 | ||
B. Britten |
Ceremony of Carols Hymn to St. Cecilia |
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A. Copland |
In the Beginning |
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M. Duruflé |
Requiem |
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G.F. Handel |
Messiah Utrecht Jubilate |
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J. Haydn |
Lord Nelson Mass |
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A. Honegger |
King David |
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F. Mendolssohn |
Elijah Saint Paul |
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W.A. Mozart |
Grand Mass in C Minor |
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M. Ravel |
Trois Chansons |
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O. Respighi |
Lauda per la Navita del Signore |
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G. Rossini |
Stabat Mater |
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C. Saint Saëns |
Christmas Oratorio |
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H. Schütz |
The Seven Words of Christ |
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G. Verdi |
Requiem |
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A. Vivaldi | Gloria | ||
Sample Selection - Double-Click on title to play. Mon Coeur s'ouvre à ta Voix, Saint-Saëns
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